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Posted (edited)

Dutch Autoklassic magazine has an article on Italia #27 that I restored a while ago 

https://amklassiek.nl/restauratie-ultrazeldzame-triumph-italia-kostte-een-fortuin-maar-dat-was-het-waard/2026/02/19/?fbclid=IwdGRjcAQHGL9leHRuA2FlbQIxMQBzcnRjBmFwcF9pZAo2NjI4NTY4Mzc5AAEe_at3X0SrPJTAL7mSEEcFNu-IOcWqZiTU07nc60oO0VNKu2TLOeZfUL0iz8o_aem_w7e9RQor8Lu_MTBYwg8WKw
translated here 

Every classic lover with a bit of common sense knows: you don't restore for the trade, but for yourself. For the kick, for saving something that actually already seemed lost. Driven by pure admiration, Gert-Paul van 't Hoff, together with his comrade Willem-Jan de Geus, had a Triumph Italia in England transformed from a hopeless project into a competition-worthy beauty. It cost a fortune, but as Van 't Hoff soberly says: "You still can't buy a Maserati Sebring for that money."

Text & photography: Aart van der Haagen

The Triumph Italia 2000 is not an everyday apparition. Between 1959 and 1962, body builder Vignale in Turin built a total of 329 units, based on the Triumph TR3. The design came from Giovanni Michelotti. The technique remained British, the bodywork was completely Italian handcraft. That makes the Triumph Italia extremely rare today.

Chassis number 27 rolled up on American roads in the early 1960s. In 1966, the car was stopped with 28,000 miles on the odometer. This was followed by a hibernation of almost fifty years, until Van 't Hoff and De Geus bought it in 2015. The consequences were guessed. "There was barely a bottom left underneath and in one of the doors was a half-metre bee nest," says Van 't Hoff.

Triumph Italia restoration in England

The Triumph Italia remained in England for the restoration and ended up with Watermill Carriage, Stuart Edwards' company. A specialist who knows exactly where the differences are between a standard TR3 and an Italia. “He knew which specific details are correct and where you can find parts that were originally also applied to other Italian cars from that time.”

For example, bumpers of a Lancia Appia had to be tracked down and an ashtray was mounted that was also used in a Ferrari at the time; price tag almost a thousand euros. A lot of time went into the detailing of the Triumph Italia. Aluminum trim strips for the door panels were copied, missing parts were reproduced and everything had to fit as Vignale once intended.

Triumph Italia bodywork: on the verge of collapse

The Triumph Italia has a steel body on the separate TR3 chassis. That chassis turned out to be solid, but the carriage was dramatically bad. "Stuart had to strengthen the front part first before he could lift the body off the chassis, otherwise it would have literally sunken."

Bottom sections were completely replaced, as were parts of the sills and the connection to the rear part around the fuel tank. The doors were given new skin plates, the frames of the hood and trunk lid were repaired and inserts were placed on the underside of the fenders. Many decorative parts went to the chrome maker. For the spoked wheels, new ones were chosen, identical to those of the Triumph TR3, after all, technically the basis of the Triumph Italia. “Still, we've kept as much original material as possible.”

TR3 heart with Italian flair

The interior of the Triumph Italia was completely decommished. The upholstery was redone in skai, in accordance with factory specification, with replacement of the distered horsehair and the spring packages, so that the chairs are tight again in modelling.

Technically, the work was relatively bad. The 1991 cc four-cylinder from the Triumph TR3A was honed and fitted with oversized pistons with new sps. The bearings were still within tolerance. The SU carburetters were overhauled, as were shock absorbers, brakes and instruments. The transmission required little more than new cross-couplings, a clutch plate and pressure group. The Laycock the Normanville overdrive was still functioning. Furthermore, the Triumph Italia received a new wiring harness, exhaust and ignition components.

The restoration of this Triumph Italia took almost four years and cost well over a hundred thousand euros. That's serious money for a car that is technically related to a TR3. But look at Michelotti's lines, Vignale's craftsmanship and the print rand of only 329 pieces. Van 't Hoff smiles: "It's like a model."

The complete restoration report can be found in the March issue of Auto Motor Klassiek. That is now in the kiosk.

 

Edited by stuart
Posted

Nice to see you getting credit for an excellent piece of work Stuart

Posted
20 minutes ago, iain said:

Nice to see you getting credit for an excellent piece of work Stuart

Definitely - that's a good read, well done.

Posted

Well done Stuart. A nice acknowledgement of your skill. 
 

we already know of your generosity of time and advice on here but that too is worthy of a compliment.

thanks. 

Posted

Yes well done Stuart you deserve the credit for all your talent and fine restoration work and knowledge.

Cheers

Dave.

Posted

Well done Stuart, and thanks for the unstinting help provided for everyone
Ian

Posted

Simply beautiful Stuart.
An Italia brings thoughts to me like “if I had then and then…” (keep on dreaming)

Waldi
 

Posted (edited)

Here’s some pictures for those of you that asked 

Stuart


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image.thumb.jpeg.8d025266d67b2814e949faad01215ed5.jpeg

Edited by stuart
Posted
Just now, harrytr5 said:

Hi Stuart,

Can not down load or open just love your work.

Regards Harry

Sorry that clip is way too long, it’s up on my Twitter feed just look up @albertspanner

Stuart

Posted

Very nice work Stuart, and of course a brilliant coupe redesign by Giovanni Michelotti and Vignale. 

Great that you were credited for such an extensive task, wonderfully executed. B)

Pete

Posted
15 hours ago, TR graham2 said:

Yes well done stuart and I saw it before it arrived with you 

Graham

It was a bit rough!

Stuart.

 

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Posted

Fantastic work as usual, we popped into the garage a couple of times while the work was being done, just after it had its primer on, then again when it was just about finished, it looked amazing.

Mike Red Rose Group.

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